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April 22, 2010

Heidegger film’s reception

A mailing list I’m on had a discussion about the movie “Only a God Can Save Us” (amazon) about Martin Heidegger’s Nazism. One of the contributors to the mailing list quoted a length from a personal communication with Jeffrey Van Davis, the creator of the film. I wrote to Jeffrey and asked permission to post the following lightly edited version (removing some of the comments that pertained to the person who posted it to the list), because I thought it might be of interest to others. (I have not seen the film.)

The film premiered in the Aula (auditorium) of Freiburg University on July 23 of this year. The response was phenomenal and I was invited back by popular demand to show the film again in Freiburg on October 21. The Heidegger family came and caused quite an incident. Hermann Heidegger kept yelling out during the film “Lüge, alles Lüge.” (Lies, all lies!”) and “nicht Wahr!” (“not true!”). People began yelling back at him to shut up. During the postfilm panel discussion which included Hugo Ott, Bernd Martin, Rainer Marten, Silke Seemann, Tom Rockmore and myself, Herman Heidegger insisted on coming up to the podium to speak. We said yes and even helped him up the steps to the stage. He is over 90 and recently had a serious cancer operation. He immediately began to attack the Freiburg philosophers and historians on the stage and myself for our lies and deceit. Things almost got out of hand with people from the audience yelling “Nazi” at Heidegger. After the discussion the Heidegger family descended upon me with all their complaints and criticism. I know Hermann Heidegger and spent over six hours with him doing an interview, but he wouldn’t allow it on film. He told me he liked the first part of the film but thinks that I came under the influence of Ott, Marten, and Rockmore too much. He told me that film was too one-sided and that outside of Alfred Denker there were no pro-Heideggerians in the film. I pointed out to him that Iain Thomson was in the film as well as Ted Kisiel. He doesn’t think you are pro enough Heidegger, I guess. … An interview of Hermann Heidegger which is in the Heidegger archive in Messkirch, I was not allowed to use. I do have a copy of it, however.

Frankly I could write a book about the city of Freiburg and how it has tried to deal with the Heidegger scandal, the whole Nazi past. There are powerful Freiburg families some affiliated with the university who have swept a lot under the rug in part because many members of these families were enthusiastic Nazis themselves. There were so many records and documents destroyed or stolen from the university archives, libraries, etc. Hugo Ott told me that many times files would be missing in the archive, yet he knew which families had taken them and he was able to get some of his information through these kinds of unofficial back channels. Anger, resentment, guilt and shame are alive and well among many in Freiburg. 60 plus years after the end of World War II, my film presentation and post film discussion at Freiburg University showed only too clearly how just below the surface these emotions are still boiling. I was surprised to see the vindictive, angry and sometimes out of control verbal attacks between the different camps in an audience of over 400 people. One man got so angry he left the Aula screaming and the audience applauded his exit. I have attended many academic conferences, film showings, etc and never experienced what I did in Freiburg. The response was so great that I was invited back to show the film again to an even larger audience on Oct. 21. Hermann brought more friends and allies and the discussion was just as lively as the first. Sorry, I begin to ramble. I have so many stories and anecdotes to tell from the many years I spent making my film. I interviewed over 25 people, each interview 2 to 3 hours long. I am now in discussion with a publisher about writing a book which would include all the interviews unedited with hundreds of photographs.

… I was an enthusiastic Heideggerian as a young man, but I have to tell you that based upon the interviews I have in my film and the research that I have done, I find it difficult to see Heidegger in a positive light. I know that you and many other excellent scholars have found Emmanuel Faye’s book to be shoddy, terrible, and down right bad scholarship…. I have recently finished reading it and I find it quite disturbing. Faye is also in my film and although one may find my film one-sided, no one can deny that the film is a good jumping off place to intense discussion of Heidegger and his thought.

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April 21, 2010

Mediabugs: Keeping the media honest since today!

Mediabugs has a live beta up for reporting errors in media reports, initially in San Francisco. The site hopes that media will eventually put “Report an error” links into their online articles, as Scott Rosenberg (one of the folks behind Mediabugs) has started doing at his Wordyard blog.

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April 20, 2010

YouTube’s automated copyright filter

YouTube uses a Content Identification tool that enables copyright holders to find instances of copyrighted material so that they can then issue a takedown notice, “moneytize” it, or track it. This includes identifying copyrighted material on a video’s audio track and automatically muting it. There’s no mention in Google’s discussion of Fair Use exemptions.

Mark Smitelli has poked around at the system, uploading copies of the copyrighted song “I Know What Boys Like,” sonically altered in various ways: compressing or expanding the time, lowering or raising the pitch, adding noise, etc. Mark runs the complete results, but to roughly summarize: Altering parameters more than 5% often seems to fool the Identifier, and using less than 30 seconds also seems to let the clip slip through the rule-bound robot’s shiny little nets. Playing clips in reverse confused the Identifier, but stripping out everything except the vocals did not.

Using a clip for as satire [later: I probably got this wrong] or political commentary undoubtedly wouldn’t keep it from the Identifier’s snares, although such use is likely protected and non-infringing. The Identifier, unsurprisingly, seems to be a poor reader of human intention. [Thanks to David Abrams for the tip.]

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April 19, 2010

Can video games be art?

Roger Ebert has a thoughtful an respectful response to a TED Talk by Kellee Santiago, in which she says that video games already are art.

Besides a general annoyance that there already is a body of thought about what constitutes art and maybe it’d be helpful not to have to start over every time we talk about these things (insert an old man’s sigh here), I feel like we’re in definitional hell: If it looks like art, Ebert will say it’s not a game, and if it looks like a game, Ebert will say it’s not art. What’s the point?

Well, maybe the point is what Ebert asks towards the end: “Why are gamers so intensely concerned, anyway, that games be defined as art?” Good question. One answer is that they want to be taken more seriously than they are.What they’re doing aren’t merely games. Some are beautiful. Some are funny. Some are occasionally morally challenging. Some are well-told tales. Some are astonishingly clever. That doesn’t make them art, but, you know, we went to the Museum of Contemporary Art in Barcelona last week, and there are galleries full of art that don’t look a lot like art either.

And, unlike Ebert, I leave the door fully open for games to be art. Mass Effect 2 may not be great art, but it’s better than a lot of pretty good TV shows I’ve watched. The Path has a numinous quality. Bioshock had a narrative twist that Hitchcock would have liked. Why can’t they be art? Unless, of course, you say that games always have to be won or lost (they don’t — Wittgenstein covered this pretty well) and that art can only happen when you’re pursuing artistic experience in itself (it doesn’t).

In fact, I’d pass Ebert’s question back at him: Why is he, a film critic, so intensely concerned that games not be defined as art? The answer is, I’d guess, that he sees that games are becoming aesthetically competitive with movies.

Art happens in any form of human sematic construction that is developed long enough. Of course art can happen in video games. It’s not the medium or the rhetorical form that holds them back, but the commercial constraints.

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April 18, 2010

Volcano 1, Internet 0.01

In a time of international crisis, the Internet failed almost utterly. At least in my limited experience.

Here are the things that I could not do over the Internet when, just as we were about to go through passport control for our trip to New York, the Barcelona Airport closed:

We could not find information about the closing posted on the Web when we needed it at the airport.

Email notifications from American Airlines about the flight delay and then cancellation came about an hour after the news was spread in the airport.

It was not possible rebook a flight using the American Airlines web site. That required a two-hour phone call to AA.

The Spanish train service’s site would not take orders for tickets. It contained no information about how to proceed, or about the multi-hour wait-times at the Barcelona station where tickets are sold.

There was no updated information about ticket availability for various trains. Nor was that information accessible at the train station except by waiting on a three hour line.

There was no obvious way to get information about the availability of rental cars, buses, cabs, or people willing to drive you to Madrid in their own car.

As far as I can tell, only three online services actually helped the stranded traveler: Twitter (see the #ashtag hashtag), Skype, and good old email.

This was not the Internet’s fault. It was moving bits faster than Icelandic volcanoes move ash. But the services built on the Net were tested by a non-lethal international crisis and crapped out. Oh, I’m sure there are cool and useful sites ‘n’ services, but I’m a fairly sophisticated Net user, and I didn’t find them, and what I did find seems not to have been built to work during times of crisis.

Makes you wonder about the implications for national security…

[THE NEXT DAY:] Given the level of Twitter activity, I’d probably upgrade the Internet to 0.2. Maybe even a tenth higher. It’s great to have a tool that’s being used bottom up for ad hoc (jeez, there’s a word I haven’t used in a while … it got eaten by “bottom up” and “grassroots”) group-forming and community support. Check the comments for some hashtags to follow.

But imagine an incident far more disruptive and deadly when we really needed to move masses of people quickly. The major transportation and travel institutions that would do the mass movement of people seem to be woefully unprepared and unable to scale up quickly. Twitter would help, but not being able to find out which buses and trains are running, etc., would magnify the disaster. We shouldn’t have to rely on Twitter for the sort of information that could come directly and immediately from the sources themselves. Not to mention that we need to be able to communicate with those sources directly so we can book travel. Twitter’s great, but having Twitter access is not the same thing as being prepared at a national level for crises.

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April 17, 2010

[2b2k] Data, facts, and data.gov

I’m finding it very difficult to work in Barcelona because: a) I’m technically on vacation. b) I’m too cheap to pay the exorbitant wifi prices in our hotel. c) I’m in Barcelona. But I have been writing bits and blats in the final section of Chapter 3. (For wifi I’m sipping from the Boingo tap by the minute.)

The bulk of the chapter is a lightweight history of facts. This final section is supposed to compare the traditional (= 19th century) view of facts with data as in the Data.gov sense. The whole facts-to-data question is quite interesting (although what I’ve written is not). For one thing, facts are supposed to be real, but data are much more obviously an artifact of our inquiry. And, in contrast with the history of facts the chapter adumbrates (“Books by DW: Putting the Dumb into Adumbration since 1999″), sites like data.gov treat data as an endless natural resource, not as nails for nailing down particular arguments. (I know that’s vague, possibly because it’s wrong. But there’s something there. Modern facts were created as a way of sealing an argument. Data are much more in play, although data of course is also used to draw or support conclusions.)

And then I’ll be left with the question the reader will want answered but I do not particularly want to address: Am I saying that facts aren’t real, that the earth both does and does not circle the Sun? No, of course I’m not saying that. That would be crazy. The world is one way and not any other (multiverse physics aside). Facts continue to count both for understanding the world and for arguing about what to do in it. But their realm is less extensive than we’d thought when we first invented the concept, and they are more arguable than we’d wanted to believe.

I think.

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April 16, 2010

Veggie in Barcelona

Just a note to fellow vegetarians passing through Barcelona: The best vegetarian restaurant we’ve found so far is BioCenter, 25 Fortuny, right off the Rambla. The menu is fairly small, but the food was really good. We had a very tasty seitan dish (sort of how I remember veal) and gnocchi. Reasonably priced, too. We haven’t been to many of the local veggie restaurants – see www.sincarne.net for a list – so there may be better ones, but you’ll get a tasty meal at BioCenter. And tell them Los Lobos sent you. (They won’t know what you’re talking about, but you might enjoy their momentary look of confusion.)

 


The next night: We had a lovely meal at Smilo, which bills itself as a pizzeria but has a very good Italian menu with numerous veggie entries. The pesta ravioli and veggie risotto were both delicious. The place is bright, clean, and very friendly.

Later still: We had a lovely, delicious meal at Vegatalia , off Las Ramblas. The eggrolls were fanatastic, and the risotto and seitan were delicious. Clean and friendly. Highly recommended.

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April 15, 2010

[2b2k] What I would have said at Nature

I had just finished a draft of the informal talk I was scheduled to give at Nature in London when I heard that our flight had been canceled. I’m very disappointed because getting to talk with Nature folks about what the Web is doing to knowledge is a pretty great opportunity for me to learn from very thoughtful people on the front line. Also, I was looking forward to seeing my friend Timo Hannay there. Not to mention some unNatural folks we were looking forward to having a meal with. Anyway, this is what I planned on saying in my brief conversation-opener.

I was going to begin with laying out the issue that Too Big to Know seems to be addressing these days: Now that — thanks to the Web — we can’t know anything without simultaneously knowing that there is waaaaay too much for us to ever know, knowledge and knowing are changing. The old strategy of reducing knowledge to what our medium (paper) can handle is being replaced by new strategies appropriate for the inclusive nature of knowledge in a medium built out of links. (Links are about including more and more; books are about excluding everything except what really really counts.)

After a lot of failed outlines for the talk, I had decided on narrowing my focus (oh, the irony of having to narrow one’s focus in a talk about the extravagance of knowledge!) to two changes to the nature of expertise and knowledge, both based on the assumption/presumption that expertise is becoming networked and is thus taking on properties of networks.

First, transparency (although that probably isn’t the best word to sum up this point). I wanted to say something broad and vague about a change from thinking of knowledge as a reflection of the world, known to be true because the method that derived it is repeatable. (This applies to scientific knowledge, but I was going to be talking to Nature after all.) Of course, few experiments are actually repeated; if they all were, we’d cut the pace of science in half. But, designing an experiment as if it were to be repeated creates a useful methodology for scientific work. We live in a post-Bacon world, however. After Watson and Crick, after Kuhn, after philosophers such as Latour, we no longer think of science as merely a neutral mirror, invisible in itself. Now the Web is changing the topology of science. Science will still use repeatable methodologies, but authority is increasingly coming from the social world in which the work is embedded. Indeed, we can now see how the work is appropriated by others, which used to be pretty much a black box. We can thus see the value of the work, whereas before much of that value was hidden. We can also see distressingly how works are misappropriated and rejected by their culture. This is a type of transparency to and fro: From the scientific work to the world, and forward from the work into the culture. This is a 180 degree turn from the old regime that viewed authority as a stopping point for inquiry; links are continuations, not stopping points.

Second, I was going to point to networked knowledge taking on the Net’s embrace of differences: nothing goes uncontroverted on the Net. On the Net, every statement has an equal and opposite reaction. Something like that. There are some good consequences of this. Lots more views get aired. We are filling out the ecology of knowledge, with well-vetted bastions such as Nature, to unvetted bastions like Arxive.org. But we also don’t really know what to do with the fact of difference. Some groups rule out of discourse those who disagree too fundamentally. In fact, we all do, and I can see the sense in that; do we have to include Creationists in every evolutionary science conference? But denying the legitimacy of difference also has a cost. We don’t have the metaphysics and possibly the genetic neural set-up to deal with fundamental differences. So, I don’t know what comes of this.

But now I don’t have to because Odin blew up a mountain in Iceland and my trip to London has been scrubbed.

(I’m blithe about the volcano because I basically have no discretionary Internet access, so I’m just assuming there weren’t any deaths or major destruction caused by the eruption. I do realize that some things are more important than my travel plans.)

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April 14, 2010

In Barcelona

Light bloggage because my wife and I are in Barcelona for a few days. (Hint: Frequent flyer miles have a lot to do with it.)

I haven’t been here since 1971, when Generalissimo Franco cast his cold chill on the place. The city is as beautiful as ever, and now so lively. Loved our first half day. Looking forward to another two.

Some random observations:

Who was the first person who looked at one of Gaudi’s plans and said, “Yup, I want to spend a lot of money to build one of those”? The blueprints must have had laughinstock written all over them. Very cool, though. What you at first think is sort of silly at seemingly random turnings reveal angles of great beauty. These buildings make you remember how utterly boring most modern architecture is.

We visited a recently unearthed synagogue in the old quarter. Tiny. It’s not an active place of worship, but my wife discretely prayed there. The historical marker on the outside has been covered with a gradffito that – weirdly – only revealed itself in the photo I took: Free Palestine.

Why do street singers/guitarists around the world confine themselves to the 1960s-1970s songbook? Is “Knock Knock Knockin’ on Heaven’s Door” really that good? On the other hand, we heard a street guitarist playing classical Spanish music so well that we bought her CD from her: Tita Avendaño.

We’ve seen almost no smokers. I’m beginning to think that Europe consists of two cultures at this point: Smoke-free surface-dwellers and smoking mole people. It’s the only explanation.

We’ve been eating well as veegetarians. We had a very good, simple tapas-like dinner last night in a local place, and right now we’re using the free Net at Ovni, an all you can eat buffet that is listed as vegetarian, although do very small pieces of ham count as vegetarian in Spain?

Anyway, having a great time. Wish you where here.

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April 12, 2010

Is the iPhone generative?

Steven Johnson makes one of his typically brilliantly insightful points in his recent NY Times op-ed: The iPhone is a locked-down device, but it has been the site of arguably the greatest burst of software generativity in the computing era, much of it by small developers. This has led Steve to re-evaluate his adherence to the “unifying creed” that “Open platforms promote innovation and diversity more effectively than proprietary ones.” When Dan Gillmor challenged this in a tweet, Steve responded with a terrific blog post, further considering the point.

The argument is over the issue framed by Jonathan Zittrain in The Future of the Internet and How to Stop It. JZ defines “generativity” as “a system’s capacity to produce unanticipated change through unfiltered contributions from broad and varied audiences.” (p. 70) Steve suggests that we instead judge generativity by the type of results we see, not by the nature of the software or hardware environment on which they run; a generative platform is “a platform that is constantly being re-invented in surprising new ways by a diverse group of creators, where individuals, hobbyists, small startups, and amateurs compete on a level playing field with large incumbents.” So, while JZ assumes that a system’s capacity to produce generative results depends on the system’s openness, the burgeoning of software for the iPhone shows that closed systems can produce wildly generative results.

I think a few things are going on here.

First, Steve is right about the fecundity of the iPhone as a platform, and about its openness to amateur and small developers. But, he’s right because the iPhone is not purely locked down. Apple could exert any control it wants, to any degree, any time it wants, but so far it’s been pretty open. So, the iPhone and the iPad are generative because in practice they generally meet JZ’s criteria. They are, in JZ’s taxonomy, hybrid animals.

But, the fact that there are over 150,000 apps for the iPhone is not the only measure of generativity. Apple has announced it will exclude unruly guests from its party (and Apple gets to define “unruly”), so the unruly don’t even bother to ask for admittance. The AppStore is a ruly environment. Now, there are obviously advantages to the user (as well as to Apple, but we’ll leave that aside for now) in having a device that cannot be disrupted. (“Disruptive” figures large in JZ’s book, but not in Steve’s definition.) For one thing, a ruly device is less likely to melt into a puddle of palm-sized uselessness. But, that’s to say that the iPhone’s limits on generativity are desirable. Steve’s argument is different. He’s saying that the iPhone is generative.

In any case, I think Steve is wrong in his causality. The iPhone has generated 150,000 apps because it’s a cool piece of hardware with a preternaturally appealing UI, useful software affordances built in, and an appealing SDK. Not to mention, it’s got a gazillion users. And the App Store is well-designed for marketing small programs. The iPhone is not wildly generative (in Steve’s sense) because it’s a walled garden; the iPhone could allow other marketplaces for apps to exist without losing its generativity (as Steve notes in an aside).

But, the most important issue is not whether the iPhone is generative. The question is whether Steve is right to renounce the “unifying creed” that generativity depends on open platforms. The argument should not be over whether a particular hybrid device is generative — although it’s helpful to have the case raised — but over the future of the Internet. That’s why JZ raises the issue of generativity in the first place.

JZ defines generativity as part of a polarity. Here’s what he says at the beginning of his book:

…the pieces are in place for a wholesale shift away from the original chaotic design that has given rise to the modern information revolution. This counterrevolution would push mainstream users away from a generative Internet that fosters innovation and disruption, to an appliancized network that incorporates some of the most powerful features of today’s Internet while greatly limiting its innovative capacity—and, for better or worse, heightening its regulability. A seductive and more powerful generation of proprietary networks and information appliances is waiting for round two. If the problems associated with the Internet and PC are not addressed, a set of blunt solutions will likely be applied to solve the problems at the expense of much of what we love about today’s information ecosystem. (p. 8)

The danger is that as cellphones become mobile Internet devices, and as iPods become mobile computing platforms, our new generation of computing devices will be appliances open only at the forbearance of their creators. Those creators may be relatively benevolent, but the question isn’t whether this device or that creator is open. It’s what the future of the Internet and of computers will look like. If appliances become the dominant way of interacting with the Net (and thus how we interact with one another), then no matter how loosely the device creators hold the reins, we are accepting the bit in our mouths. If appliances become the default, then the market for challenging, risky, disruptive, subversive app development is in danger of drying up.

From that point of view, the generativity of the iPhone and the iPad is — to use JZ’s word — seductive. Steve Johnson is right that they have unleashed a torrent of creativity. But it is creativity within bounds. The very success of these devices, driven by the generativity that Steve Jobs allows us and to which Steve Johnson astutely points us, can lead us to the future that JZ fears.

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