Joho the Blog
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December 07, 2006
Glyn at the Open Rights Group blog posts about the Gowers Review's government-commissioned report on what to do about "intellectual property." (ORG's press release on the report is here. And—disclosure—I am an ORG's advisory board, although I've missed every phone call.) Apparently, the report is surprisingly not horrible, and is in some ways, pretty good. It does not recommend extending copyright any further for audio recordings. Yay! Of course, the Brits already give them 50 years of protection, which IMO is way too long—but is far better than the US's ridiculous giving corpses copyright control for 70 years. And, the Gowers report actually adds exemptions for transformative and derivative works, AKA mash-ups. It even decriminalizes copying from CDs to your MP3 player. And it sings along with Larry Lessig about the cultural tragedy of keeping "orphaned" works—out of print works whose copyright owner cannot be found—protected by copyright. (What's the opposite of a victimless crime? A beneficiary-free restriction?) It also suggests the highly sensible idea of requiring DRM'ed works to be labeled as such so the market can decide just how much it's willing to be bullied. But, Glyn points out that the report also recommends stricter enforcement of the laws protecting "IP" without distinguishing between commercial pirates manufacturing illegal CDs and individual teenagers sharing music with friends for free. Overall, the Gowers Report will infuriate the music labels because it considers what's best for citizens, customers and creators. A step in the right direction the US would do well to emulate. [Tags: gowers copyright drm music open_rights_group lessig] Posted
by D. Weinberger at December 7, 2006 06:56 AM
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Comments
RE: Anonymity As The Default
"Privacy, anonymity, publicness, responsibility, shame, freedom, self, community...these and other core terms are properly in a royal stew of meaning."
To match a name to a person, for whatever the reason, defines the act of identification, but knowing who one is remains thoroughly elusive, both for the one and for the other, ad infinitum. The very process of identification is a problem in itself, for who is it that matters via such an act, one, or the other, and to what end? I ask this because I am always the one responsible for my own meaning, although the pure seriality of existence is what matters to an identification process, and such an act interprets me as a piece of information, a pattern, or an attribute, for a particular purpose, beyond my control. Seriality is often important, however, for example, when I am my zip code, but even knowing my name does not ensure knowing who I am. It is the verdict of the identification that is problematic here, for one is not a thing, and the power of non-concealment can either enthrall or liberate my non-thinginess, depending upon the verdict involved in the identification. Is that clear? If not, who's problem is that; would not knowing my identity help determine such an answer, because then one would feel the verdict to be such and such, and, hence, the meaning would reveal itself accordingly, as a logos. I may not be "Philo", for instance, anywhere else but in this blog, but I am someone who, like Job, pursues my own meaning, nevertheless and necessarily so, and that is nobody's business but my own (unless, of course, I violate someone else's non-thinginess, either deliberately, or accidentally, by being anonymous. [ps: I am often criticized (bless the employment of "z") of not concerning myself enough with the thinghood of a one's authority, for instance, but that does not make me an anarchist by default, unless I choose so! (or is the contingency of being a default itself non-linear?)]).:)
Posted by: Philo | December 7, 2006 04:41 PM
As I commented at the Copyfight blog, one of the EU's copyright directives (93/98/EEC) seems to restrict recording rights terms to 50 years, so I still don't understand what all the brouhaha is about. Nobody has been able to explain it to me so far.
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