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Julius Caesar in Lenox

We saw Shakespeare & Co.‘s Julius Caesar last night. What a rich production! And certainly not because of its production values: the performance was in the tiny Bernstein Theatre with a cast of just seven and an almost bare stage.

The acting was up to the company’s high standard. New to me was James Udom as Marc Antony. He gave the famous address — which stands out for its devious plainness amidst the torrent of language in which it is embedded — brilliantly. Eric Tucker made the noblest Roman, Brutus, human. I could listen to Jason Asprey all day long. (I embarrassed myself after the performance when he came out to the lobby.) Kristin Wold switched characters on stage instantaneously and before our eyes, nevertheless bringing us along.

It is a hard play. It never lets you settle. And it has perhaps the most despairing final words of any Shakespeare play. We may not be 100% sure that Caesar was so ambitious that he needed to be killed for Rome’s sake, but he at least had the good sense to mask his ambitions. When Octavius stands amidst the carnage and celebrates the “glories of this happy day,” we see what naked ambition truly looks like. It was a devastating moment last night.

The small audience consisted almost entirely of people over 60. Such a shame.

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