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August 1, 2014

Time to invoke the Streisand Effect?

The Register just posted one of the most ridiculous pieces of clickbait trolling I’ve ever seen. They’re claiming that by posting the parody video below, the UK’s Open Rights Group is comparing people who defend their copyright to Hitler:

It helps to know a few things:

First, the movie the clip, taken from Downfall, has been used for this sort of re-titling parody well over a hundred times, with Hitler fulminating over everything from Miley Cyrus twerking to spam. (Here are seven recent parodies, and 25 from an article in 2009.) Note that the video above was created and posted by Brad Templeton in 2009.

Second, a few years ago, the producers of Downfall apparently got fed up with their movie becoming so well known and started issuing DMCA takedown notices for the parodies.

Third, two days ago the House of Lords protected parodies against copyright infringement suits — covered in the US by our policy of Fair Use. ORG linked to the Downfall parody to celebrate this victory for free speech.

So, it hurts my head how many ways The Register’s trolling gets things wrong. It’s as if someone were accused of violating Godwin’s Law because she invoked Godwin’s Law. [I am taking Godwin’s Law as normative. Sue me.]

Here is the link to The Register article but I encourage you not to go there, just so they won’t feel that this sort of ridiculous trolling is profitable. Instead, we could perhaps invoke a version of the Streisand Effect by posting the video widely.

[A few hours later:] The Register just appended the following to their post:

Since the publication of this story, the ORG has contacted The
Register with this comment: “Earlier this week, the Open Rights
Group tweeted a Downfall parody about copyright on the day that
parody exceptions for copyright were approved by the House of
Lords. Downfall parodies are widely recognised and have been used
to great satirical effect about a wide range of subjects. It is
wilful ignorance to portray a Downfall parody as a direct
comparison with Hitler and Nazism.”



August 24, 2013

Unknowing v. Lessig

Not since the NFL sent a takedown notification to Wendy Seltzer because she posted the NFL’s copyright notice has a takedown notice been so unknowing. Wendy is a law professor and the head of the Chilling Effects archive of takedown notifications. The new Notification of Unknowingness went to Lawrence Lessig for using a short clip to make a point in a video of a talk about the overreach of copyright:

A co-founder of the nonprofit Creative Commons and author of numerous books on law and technology, Lessig has played a pivotal role in shaping the debate about copyright in the digital age. In June 2010, Lessig delivered a lecture titled “Open” at a Creative Commons conference in South Korea that included several short clips of amateur dance videos set to the song “Lisztomania” by the French band Phoenix. The lecture, which was later uploaded to YouTube, used the clips to highlight emerging styles of cultural communication on the Internet. [source: eff]

When YouTube forwarded the DMCA takedown notice to him, Lessig did what so few people do: he counter-notified that his use of the clip was an instance of Fair Use. [More details here.] Fair Use is an exemption to copyright that lets reasonable extracts be used in cases just like Larry’s video. [Better explanation here.] The copyright holder then said they were going to sue Lessig for infringement. Lessig took down the clip and is now taking the issue to court with the help of the Electronic Frontier Foundation. (Did you remember to donate to the EFF?) Their aim is to get the judge to issue a declarative judgment that the the clip is covered by Fair Use, and to get damages as specified in DMCA clause 512f:

(f) Misrepresentations. Any person who knowingly materially misrepresents under this section
(1) that material or activity is infringing, or
(2) that material or activity was removed or disabled by mistake or misidentification,

shall be liable for any damages, including costs and attorneys’ fees, incurred by the alleged infringer, by any copyright owner or copyright owner’s authorized licensee, or by a service provider, who is injured by such misrepresentation, as the result of the service provider relying upon such misrepresentation in removing or disabling access to the material or activity claimed to be infringing, or in replacing the removed material or ceasing to disable access to it.

Since what exactly constitutes Fair Use is determined by courts, a declarative judgment would help clarify that uses like Larry’s are definitely ok, and the awarding of damages would help discourage organizations from issuing automated takedowns that give no heed to the circumstances in which the content is being used. (But I am not a lawyer, so do not believe me.)

The final irony: The name of the copyright holder is Liberation Music.

Go, Larry! Go EFF! And thank you!

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January 28, 2012

EFF explains Twitter’s new take-down policy

There’s a good explainer by Eva Galperin of Twitter’s new policy on censoring tweets within countries that demand it, At BoingBoing, Xeni Jardin points to one particularly relevant fact: this applies to countries whwere Twitter is establishing physical offices.

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June 6, 2009

Indeterms of service

ToSBack — an EFF project — tracks 44 big sites and notes when they’ve changed their terms of service. Then it shows you a side-by-side before and after. For example, here’s a recent change by Facebook. (via Adam Holland. Thanks!)

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March 24, 2009

Ada Lovelace’s Internet freedom brigade: Wendy Seltzer

It’s the first International Ada Lovelace Day, when we celebrate women in tech by blogging about a woman in tech. My choice this year is Wendy Seltzer. This list of projects she’s been instrumental in of course does not tell the whole story, but it’s a good place to start.

Wendy graduated Harvard Law with a ticket to high-priced everything, but instead has dedicated her legal skill and deep technical understanding to preserving the Net as a place for free speech and free culture. She was a lawyer for EFF for years, an original and sustaining Berkman fellow, a careful observer of ICANN, the heart, head and hands behind, and someone who never hesitates to pitch in when there’s a way to keep the Net open to all.

Wendy is modest and shy, and will undoubtedly be made uncomfortable by my singling her out. But, hey, what are friends for? :) Wendy, it makes me happy to know you are working for us all, and even happier to call you my friend.

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January 30, 2009

RIAA likes its lawsuits the way it likes its sex…

… in the dark, threatening, and one-sided.

Thus, the RIAA is appealing the decision to let a hearing in its suit against a file sharer — Joel Tennenbaum — be webcast.

The Electronic Frontier Foundation (did you remember to join?) has filed a brief in support of webcasting the hearing, in which it says:

“The record companies have long maintained that they brought these lawsuits against ordinary users to start a national conversation about peer-to-peer file-sharing,” said EFF Legal Director Cindy Cohn. “What better way is there for the public to learn what the record companies are doing than by seeing for themselves what happens in these lawsuits?”

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December 3, 2008

DMCA exemption season

Once every three years, the copyright office considers proposed exemptions to the DMCA’s forbidding of attempts to circumvent Digital Rights Management (DRM) protections. Yesterday at 5pm was the deadline for this cycle’s bids.

And there have been some really interesting ones.

Some Berkman folks have asked for the right to Hack the Dead, although they don’t put it like that. If you have software that checks on line to make sure you are authorized to use it, and if the company has now gone out of business, you can no longer use stuff you paid for. So, the Berkman team has proposed that in those circumstances, hackers should be allowed to hack your content free of the dead grip of the defunct business. Chris Soghoian, one of the petitioners, explains it well.

Chris also explains some of the other 18 requests for exemption, including an EFF (did you remember to join?) request to allow users to jailbreak their iPhones so they can run software that Apple has not approved, and a request to allow academics to hack DRM’ed DVD’s to make compilations that are legit under the Fair Use exemption.

Unfortunately, it’s likely that the copyright office will emerge from its three year slumbers, see its own shadow, and put its head straight back up its own rectum. [Tags: ]

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November 11, 2008

The Broadcasting Treaty that won’t stay dead

The Electronic Frontier Foundation (did you remember to join?) has blogged about the WIPO Broadcasting Treaty that won’t seem to stay dead. (Great backgrounder and eval by Nate Anderson at Ars Technica.)

The new treaty would mean that to record or reuse a broadcast of a TV show, you would have to get rights not only from the company that created the show, but also from the broadcaster whose signal you recorded. The Europeans have supported this since they backed the Rome Convention in 1961; the proposed treaty would globally standardize this new layer of rights/restrictions.

The EFF has argued that if passed, it would mean that it would be illegal to record even a Creative Commons licensed broadcast; the creator of the work may be fine with it, but the broadcaster might not be. There are no “fair use” exceptions in the proposed Treaty, although it allows signatories to carve out exceptions based on their own copyright laws; the EFF claims that this would create confusion that would chill innovation and speech, as different countries implement different exceptions.

The US delegation has taken up again its call for “broadcast” to include transmissions over the Net.

The new push for the treaty, according to an update by Nate at Ars Technica, is likely to fail because there seems to be an irreconcilable split among countries that want to add this new layer of rights and those that would solve the problem of people stealing and reselling broadcasts simply by using existing laws to prosecute the people who do it.


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August 22, 2008

Putting some analog back into the digital copyright fight

Here’s how the DMCA has worked so far: A copyright holder (henceforth “publisher”) notices an instance (henceforth “video”) of what it thinks is a violation of its copyright on a site such as YouTube (henceforth “YouTube”). The publisher sends YouTube a notice that the video infringes copyright. YouTube then has a choice: It can disagree that the video infringes, and leave it up, or it can take it down and let the video’s poster know that it’s done so. If YouTube chooses Door Number One, it becomes liable if a court decides the video really was infringing. So, inevitably, YouTube takes it down. The video’s poster can then counter-notify YouTube that the video is not infringing. (In this one example, YouTube’s lawyers will actually take a look to decide whether they think it infringes or not. But YouTube is very special in this regard.)

On paper, this seems reasonable. And maybe if the whole thing were done with paper, it would be. But the claims of infringement can be compiled digitally — publishers like Viacom automatically generate lists of every instance of, say, “jon stewart” in a video’s title and submit lists of over a hundred thousand URLs, obviously without having actually reviewed any of the videos — while the response is analog, and thus hard, time-consuming, and risky.

Now there’s been some good news.
A federal judge has ruled that before a publisher submits a DMCA takedown notice to a site like YouTube, some human being has to look at it to decide if it actually infringes, or if it is protected by Fair Use. If this ruling is maintained, it will help re-balance the insanely pro-publisher, pro-protection, pro-restriction copyright regime by taking away the incentive to take down anything and everything that looks like it might maybe perhaps upset a publisher’s delicate sensibilities.

PS: Did you remember to join the Electronic Frontier Foundation to help protect your online rights? [Tags: ]


July 10, 2008

Support EFF’s FISA challenge

I am not as unhappy with the FISA bill as many of my friends are. But this bill needs to be challenged in court. For one thing — as others have pointed out — that the president told you to do something illegal doesn’t excuse you from it, if only because presidents don’t have the power to order you to do anything.

EFF is asking for donations for a court challenge. EFF’s budget is a dry cough in a thin hanky compared to the economic forces it’s fighting. Is it worth a few dollars to you to get this bill tested?


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